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This special valve amplifier, although firstly intended for
guitar amplification, proved to belong to the top of high-end amplifiers.
He sounds extremely open and detailed. I added some important improvements
to the original design, amplifier 20 as published in "The Project"
on this site. Now this amp really has atmosphere, depth and emotion, combined
with a nice 73 Watt output power. This article gives the schematics, specifications
and description how to build. The power and output transformers can de bought
at "order" on this site. All the other components you have to
gather yourself. The amplifiers case on the photo's is a special design
case which can be ordered at Personal Audio Concepts, but everyone is free
to design his/her own fantastic housing.
Introduction
What makes valve amplifiers that special? Are it the valves, the special
output transformers or is there also another reason? In the year 2004
I started an in depth research where I studied the effect of different
topologies on the sound quality. I developed a kind of universal amplifier,
an universal output transformer and power supply. Only by changing some
internal wiring totally different amplifiers could be made with powers
reaching from 5 up to almost 80 Watt. Essential in this research is that
in every amp exactly the same components were used. So, only the influence
of the schematics would be heard and nothing else. This complete research
can be found at this site, see "The Project" and also literature
1) to 5). Last year I selected the best sounding and most powerful amplifier
(amp 20) of this research, added some important improvements, and the
PR20HE-S2 amplifier was born.
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Audio schematics
Figure 1 shows the schematics of the audio part. The input on the left
side is balanced and meant to be driven by a balanced output of a pre
amp.

Figure 1: Audio schematics of the VDV PR20HE-S2
With a minor change of R3 and R7 also an unbalanced input is possible;
see the remarks in the schematics.
The long tailed ECC81 input valve functions as pre amp and phase inverter
and driver of the push pull power valves. The two cathodes are connected
to each other, while R6 functions as a constant current source, fed by
the negative voltage Vn = -73 V.
One might consider to limit the wide frequency range of this section,
by adding a C1 = 100pF/500V silver-mica capacitor directly between the
two anodes of the ECC81. This will suppress a small 90 kHz resonance in
the output transformer. My experiments only showed a result on the oscilloscope,
I could hear no difference between with or without C1.
After the ECC81 the audio signal goes through the coupling capacitors
C3 and C4 to the power valves. The circuit is optimized for the famous
EL156 power valves. They can handle a maximum anode dissipation of 50
Watt each, which enables a large quiescent current. The amp functions
therefore mostly deep in class A, which also explains its great audio
qualities. Also the famous 6550 valves with Pa,max = 40 Watt can be used,
although with a little less quiescent current, see the table with measurement
results for more details.
With the 10 turns trim pots P12 and P13 the quiescent currents Io can
be set, and measured with a volt meter over the cathode resistors. With
the EL156 the quiescent current are set at 50mA per valve, so the voltmeter
should read 50 mV over R17 and over R18.
The anodes of the power valves are connected directly to the primary winding
of the universal VDV-GIT80 output transformer. See "transformers"
at this site for detailed specs and "order" for buying. Its
primary impedance Zaa equals 8 kOhm in this application. The high voltage
V0 = 720 V is connected to the center tap of the primary winding. The
screen grids are connected with R16 and R17 to the supply voltage V1 =
360 V.
Now that the voltages and currents are known, the actual anode dissipation
per power valve can be calculated. Using 720 V times 50 mA delivers a
mere Pa = 36 Watt. This is smaller than the maximum value of 50 Watt,
but ensures long valve life. However, if one wishes to go as deep as possible
into class A, then the maximum quiescent current can be set at 69,4 mA.
Probably the anodes of the EL156 will start to glow under this condition
and please don't blame me that the lifespan of the two valves will be
short.
The cathodes of the power valves are connected through R17 and R18 to
the secondary of the VDV-GIT80. Make sure that the secondary winding tap
point 2 (blue wire) is connected to the ground, else no current can flow
through the power valves. This kind of local feedback at the cathode is
used by Audio Research, and also proves in this design to have excellent
qualities. The feedback raises the damping factor at the speaker and lowers
the harmonic distortion in the power valves and the output transformer.
Loudspeakers with impedances of 4 (use tap 1 and 2) and 8 (use tap 1 and
3) and 16 Ohm (use tap 1 and 4) can be connected to the secondary. Never
connect tap 1 or tap 3 or tap 4 to ground, else you will shortcut the
secondary. Only tap 2 is connected to ground.

Figure 2: Pin numbers of the ECC81 and the EL156/6550-C.
Figure 2 shows the pin numbers of the EL156 valves with octal base, which
are equal to the 6550 pin numbers.
About hum and grounding
The audio schematics in figure 1 shows two grounding points with the numbers
1 and 2. They are connected by a single wire to each other, while grounding
point 1 is floating with respect to the metal case and grounding point 2
is directly connected to the metal case. This looks a little bit like magic,
so let me explain the reason why. By grounding using this method, almost
no hum is heard and also the purity of the amplification will be optimal.
Grounding point 1 belongs to the supply voltage V0 and the power valves
and their large currents. Grounding point 2 belongs to the ECC81 where only
small currents run. Never the large currents of the power section should
run through wires at the sensitive pre amplification section. By connecting
R1,3 and C2 to grounding point 2, while C5,6 and P12,13 and secondary tap
2 are at grounding point 1, you can meet this demand.
The question is: can you hear the results of this kind of separate star
grounding? Yes, you can hear the micro details in the sound much better
and clearer. So, please follow my advise; this brings the PR20HE-S2 to its
highest levels.
Power Supply
Figure 3 shows the schematics of the power supply. The special power transformer
VDV-POW80 can be ordered at this site (see 7 and 9) and be used worldwide
because of its many primary voltages.

Figure 3: Power supply
Keep in mind that per voltage an optimal primary surge should be used,
which is indicated as well. The mains grounding is firmly connected directly
to the metal case, for optimal safety. Please pay close attention to this.
The transformer has a metal shield (green-yellow wire) between the primary
and the secondary windings, that should also be connected to the metal
case with the shortest wiring possible.
The two 270 V secondary windings are separately switched with the stand-by
switch S2 and surged and rectified and buffered with 330 uF in parallel
with bleeders of 100 kOhm. This delivers two times 360 V and by placing
these high voltages in series one gets the V0 = 720 V for the power valves
and the V1 = 360 V for the screen grids.
The third winding of 50 V delivers after rectification and buffering the
negative voltage Vn = -72 V. On purpose there is NO surge in this part
of the circuit, to ensure that this negative voltage is always present.
Else your precious power valves could burn in front of your eyes, caused
by a stupid malfunction of a surge of 20 cents.
The filament winding of 6,3 V needs no further explanation, only that
it is center grounded through two 100 Ohm resistors at star ground 2.
Specifications
They are given in the table and most speak for them selves. The -3dB power
bandwidth start at the excellent low frequency of 18 Hz. At a low level
output power of say 2 Watt (which is mostly where we listen), the low
frequency bandwidth starts at 4 Hz. This very low frequency is caused
by the extreme large primary inductance of the primary winding (Lp,max
> 1000 Henry). The listening result is that you can hear, depending
on the loudspeakers used, to low frequency breathing of the air, which
gives much spatial information in the sound stage.
At the high frequency side of the power bandwidth I measured 26 kHz, independent
of the output power level. This is caused by the leakage inductance Lsp
and the internal primary capacitance Cip inside the output transformer.
These results are in total agreement with my design goals of the special
VDV-GIT80 output transformer, which should function flawlessly in our
hearing range. Suppose one wishes to go up to 100 kHz bandwidth, then
please use my specialist VDV4070-CFB toroidal output transformer.
The effective output impedance Zout (reverse with the damping factor)
of the amp depends on the quiescent current and the type of power valves.
See the table for details. Its value is small because (high damping) of
the applied cathode feedback. Most dynamic loudspeakers will be totally
happy with this damping and my listening results showed a quick and open
and detailed bass character. No muddy sounds here.
The input sensitivity of the total amplifier equals 2 Vrms. Most CD-players
deliver this signal level directly and then you only need a volume pot
to set the desired loudness in your room. Use a stereo type when you work
balanced, and use a single deck type for unbalanced application.
The hum level at the is remarkably small at 2 mVpp. This is caused by
the magnetic leakage fields of the power transformer directly into the
output transformer. By creating a larger distance between these two transformers,
this level can be reduced, but I consider 2mVpp negligible, so why to
make the amplifier larger? The tube circuitry delivers 1 mVpp hum because
of the careful grounding method as described earlier. You can hear and
measure no hiss, which is explained by the careful designed amplification
factor, meaning no more amplification than absolutely needed for (which
is a typical Menno trick).
| VDV-PR20HE specifications |
EL156 |
EL156 |
6550-C |
unit |
| Quiescent current Io per valve |
40 |
50 |
40 |
mA |
| V0 |
726 |
716 |
728 |
V |
| V1 |
363 |
358 |
364 |
V |
| Va1 upper EC(C)81 |
199 |
199 |
199 |
V |
| Va2 lower E(C)C81 |
196 |
196 |
196 |
V |
| Vn |
-72 |
-72 |
-72 |
V |
| Vg1 eindbuizen (indicative) |
-23 |
-22 |
-43 |
V |
| P-max @ 1kHz |
71 |
73 |
75 |
W |
| -3dB power bandwidth |
18 - 26 |
18 - 26 |
18 - 28 |
Hz - kHz |
| -3dB frequency range @ 2 W |
4 - 27 |
4 - 27 |
7 - 27 |
Hz - kHz |
| Z-out at 4 Ohm tap 3 |
2,5 |
2,3 |
3,5 |
Ohm |
| V-in asymmetrical @ 70 Watt |
2,0 |
2,0 |
2,5 |
Vrms |
| Hum at 4 Ohm tap 3 output |
4 |
3 |
4 |
mVpp |
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